Vinyl and a Heartache (2016)
Release: August 26th, 2016
Produced by Even Ormestad
Recorded in Albatross Recorders. .
Mixed by Bjarne Stensli
Mastered by George Tanderø
Lyrics and credits
-
Oh, dear sweetheart of mine
I reckoned my life to be over
Out of darkness I saw them shine
The mighty white cliffs of Dover
One early morning I set sail
Out of Port Sainte-Marine
No saint could save me, it would seem
From the raging storm I fell in
The crashing waves and howling winds
took my boat a-dancin’
a frightening waltz I could not lead
into the abyss a-glancin’
One- we rose and two- we stopped
Three- towards Hades falling
I felt the draw from down below
I heard the sirens calling
No saint am I, but Saint was he
Who brought my boat to harbor
He saved a sinner from the sea
Saint Brendan, the navigator(Mari Sandvær Kreken, Tor Egil Kreken)
-
I was struggling
How to figure out this world all alone
You were looking
For a reason not to sing on your own
Your sweet voice, my lost cause
Collided like stars burning in the sky
And for a while we were in the same song
You had the chords and I played along
The sweetest tune till the chorus faded
And it was gone
Woke up running
Running out of reasons to stay
Ain’t it funny
How we ran out of things left to say
Your cracked voice, my long pause
The silence revealed what you could not believe
But for a while we were in the same song
You had the chords and I played along
The sweetest tune till the chorus faded
And it was gone
You were mine, I was yours
What started as going to last forever
Somewhere along the way turned to whatever
Still it was a time to remember
Cause for a while we were in the same song
You had the chords and I played along
The sweetest tune till the chorus faded
And it was gone
(Mari Kreken, Tor Egil Kreken) -
I have hooted at the big man, I’ve howled at the waning moon
I have stolen from the rich, but I gave it away too soon
Next to living, next to dying, I have no particular fears
I have made my father proud, and I’ve moved my mother to tears
Nowhere to go, and nothing for me when I get there
Carry me home, 15 Isolation Row
Hope is never lost, someday we’ll do better
I’ll be waiting still on 15 Isolation Row
I have heard the lies they tell you, I’ve seen my brother get slain
I believe what someone told me, no good man dies in vain
The mistake I made was simple, I fought injustice with a gun
May the Lord have mercy on my soul, I’ll pay for what I have done
(Mari Kreken, Tor Egil Kreken) -
Once again I’m lost in a bar room
Four nights in a row, three days going mad
Right before the words; “I am leaving”
I can recollect, feeling rather glad
Play on, Willie and Trigger
Play for my bleeding heart
Sing songs ‘bout something bigger
Tearing the void apart
When I close my eyes words still ringing
“You can have the dog and the records, too”
Memories of you overwhelm me
Every time I put the needle to the groove
How did it feel to hear my heart break
Leaving me vinyl and a heartache
Was not what I had in mind
I would choose an old cassette deck
A second chance to kiss your sweet neck
Like a tape I could rewind
(Mari Sandvær Kreken, Tor Egil Kreken) -
Can you still recall that day
When you said I’m here to stay
Back when we wrote in stone
Had no place to call our home
Home – no place to call our home
I remember restless nights
Drifting towards the morning light
Looking for something true
To find a road that fit our shoes
A road – a road that fit our shoes
Thinking of a winter when
All I wanted was to find a friend
Back then I never knew
I would find someone like you
You – find someone like you
(Mari Sandvær Kreken, Tor Egil Kreken) -
(Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, John McVie, Christine McVie)
-
Mary was never at ease with what life had brought her
When things came out this way she’d care more for the other
Most of the time she would make up her mind
By simply flipping a coin
Holding her bets on both sides of the quarter
Then feeding the cigarette machine down at 12th & Porter
Days like this made her think of her mother
Nothing could make her come back she knew she shouldn’t bother
“it’s nuttin budda sin you don’t learn how to swim
Yer ma would’ve cared for it too,
Feet up head back” her daddy had told her
Cumberland river’s just a walk down from 12th & Porter
The night was so warm she laid back to float like a daughter
Of the motherly nearness in the washing of the water
The river caressed her and gently undressed her
She knew she would never go down
If she could lay still and follow the wave that had caught her
Nowadays the machine holds a sign that says;
“Slot out of order, one dollar bills only. No change. Staff 12th & Porter”.
(Mari Sandvær Kreken, Tor Egil Kreken, Per Aasmund Aarnes ) -
My uncle with a drifter’s heart
What he might lack in riches he made up in charm
Had an old guitar he would play
With a voice so fair sing your worries away
A penny in a wishing well
striking luck in the form of a real southern belle
He died in the spring of ‘09
Left a broken belle and troubles behind
Now he’s gone, nothing but memories to keep me company
And this song, telling the stories about a nobody
That’s somebody to me
I still recall my grandpa John
Old as bones, dry as sand and as hard as a stone
Walked off in a winter storm
With a jar of white lightning to keep himself warm
Now he’s gone, nothing but memories to keep me company
And this song, telling the stories ‘bout a few nobodies
That’s somebody to me
I think about my sister dear
Full of life, full of love, full of self hate and fear
Made it to the age of 19
I fell apart at the words; here lies Francine
Now she’s gone, nothing but memories to keep me company
And this song, telling the stories ‘bout a few nobodies
That’s somebody to me
(Mari Sandvær Kreken, Tor Egil Kreken) -
The moon is hanging high above
A long and dusty red dirt road
My blood has stained this land before
No more, no more
My heart is aching, all in vain
But I embrace what some call pain
It shook my bones, the weight I bore
No more, no more
I won’t break, I won’t be shaken
No more
The ground keeps taking a heavy toll
the red dirt country owns my soul
An oath I took, in blood I swore
No more, no more
(Mari Sandvær Kreken, Tor Egil Kreken)
Not everyone's the ability to write the perfect country or americana song. George Jones has done it, Dolly Parton has done it, Ryan Adams has probably done it, Johnny Cash has done it several times, and a couple more greats in the history of music have done it. Most of them have in common that they grew up in the southwestern part of the USA, while struggling to survive through their music.
The trio Darling West were born and raised pretty far from the dusty streets and worn down cafés in Nashville, Tennessee, but still they’ve been very close to writing the perfect americana song. Both on their debut album from 2014, which was nominated for a Norwegian Grammy award, and on their new album, «Vinyl and a Heartache», which they won a Norwegian Grammy for.
Kjetil Steensnæs, and Tor Egil and Mari Kreken has a DNA consisting of country and americana music, and even though Norway have developed a lively and vital country scene the last couple of years, few are doing it so consistently and good as Darling West. The band have perfected their musical expression even more since their last album, and can easily be compared to contemporary artists such as Sam Outlaw, Gillian Welch, Kacey Musgraves, Ryan Adams and Jason Isbell, while the souls of Gram Parsons and Emmylou Harris are carefully watching over them.
In their everyday lives, the various band members are playing with some of the best and most famous Norwegian artists, but it’s together, as Darling West, that the real magic happens. It’s melancholic, it’s raw, it’s genuine, and it’s songwriting at a sky-high level. It’s dance and it’s sorrow, it’s traditional and it’s innovative. Darling West are closing in on the perfect country song, and who knows, maybe they’ve already written it.