Vinyl and a Heartache (2016)

Release: August 26th, 2016

Produced by Even Ormestad
Recorded in Albatross Recorders. .
Mixed by Bjarne Stensli
Mastered by George Tanderø

Lyrics and credits

  • Oh, dear sweetheart of mine
    I reckoned my life to be over
    Out of darkness I saw them shine
    The mighty white cliffs of Dover

    One early morning I set sail
    Out of Port Sainte-Marine
    No saint could save me, it would seem
    From the raging storm I fell in

    The crashing waves and howling winds
    took my boat a-dancin’
    a frightening waltz I could not lead
    into the abyss a-glancin’

    One- we rose and two- we stopped
    Three- towards Hades falling
    I felt the draw from down below
    I heard the sirens calling

    No saint am I, but Saint was he
    Who brought my boat to harbor
    He saved a sinner from the sea
    Saint Brendan, the navigator

    (Mari Sandvær Kreken, Tor Egil Kreken)

  • I was struggling
    How to figure out this world all alone
    You were looking
    For a reason not to sing on your own

    Your sweet voice, my lost cause
    Collided like stars burning in the sky

    And for a while we were in the same song
    You had the chords and I played along
    The sweetest tune till the chorus faded
    And it was gone

    Woke up running
    Running out of reasons to stay
    Ain’t it funny
    How we ran out of things left to say

    Your cracked voice, my long pause
    The silence revealed what you could not believe

    But for a while we were in the same song
    You had the chords and I played along
    The sweetest tune till the chorus faded
    And it was gone

    You were mine, I was yours
    What started as going to last forever
    Somewhere along the way turned to whatever
    Still it was a time to remember

    Cause for a while we were in the same song
    You had the chords and I played along
    The sweetest tune till the chorus faded
    And it was gone

    (Mari Kreken, Tor Egil Kreken)

  • I have hooted at the big man, I’ve howled at the waning moon
    I have stolen from the rich, but I gave it away too soon

    Next to living, next to dying, I have no particular fears
    I have made my father proud, and I’ve moved my mother to tears

    Nowhere to go, and nothing for me when I get there
    Carry me home, 15 Isolation Row
    Hope is never lost, someday we’ll do better
    I’ll be waiting still on 15 Isolation Row

    I have heard the lies they tell you, I’ve seen my brother get slain
    I believe what someone told me, no good man dies in vain

    The mistake I made was simple, I fought injustice with a gun
    May the Lord have mercy on my soul, I’ll pay for what I have done

    (Mari Kreken, Tor Egil Kreken)

  • Once again I’m lost in a bar room
    Four nights in a row, three days going mad
    Right before the words; “I am leaving”
    I can recollect, feeling rather glad

    Play on, Willie and Trigger
    Play for my bleeding heart
    Sing songs ‘bout something bigger
    Tearing the void apart

    When I close my eyes words still ringing
    “You can have the dog and the records, too”
    Memories of you overwhelm me
    Every time I put the needle to the groove

    How did it feel to hear my heart break
    Leaving me vinyl and a heartache
    Was not what I had in mind
    I would choose an old cassette deck
    A second chance to kiss your sweet neck
    Like a tape I could rewind

    (Mari Sandvær Kreken, Tor Egil Kreken)

  • Can you still recall that day
    When you said I’m here to stay
    Back when we wrote in stone
    Had no place to call our home

    Home – no place to call our home

    I remember restless nights
    Drifting towards the morning light
    Looking for something true
    To find a road that fit our shoes

    A road – a road that fit our shoes

    Thinking of a winter when
    All I wanted was to find a friend
    Back then I never knew
    I would find someone like you

    You – find someone like you

    (Mari Sandvær Kreken, Tor Egil Kreken)

  • (Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, John McVie, Christine McVie)

  • Mary was never at ease with what life had brought her
    When things came out this way she’d care more for the other
    Most of the time she would make up her mind
    By simply flipping a coin
    Holding her bets on both sides of the quarter
    Then feeding the cigarette machine down at 12th & Porter

    Days like this made her think of her mother
    Nothing could make her come back she knew she shouldn’t bother
    “it’s nuttin budda sin you don’t learn how to swim
    Yer ma would’ve cared for it too,
    Feet up head back” her daddy had told her
    Cumberland river’s just a walk down from 12th & Porter

    The night was so warm she laid back to float like a daughter
    Of the motherly nearness in the washing of the water
    The river caressed her and gently undressed her
    She knew she would never go down
    If she could lay still and follow the wave that had caught her
    Nowadays the machine holds a sign that says;
    “Slot out of order, one dollar bills only. No change. Staff 12th & Porter”.

    (Mari Sandvær Kreken, Tor Egil Kreken, Per Aasmund Aarnes )

  • My uncle with a drifter’s heart
    What he might lack in riches he made up in charm
    Had an old guitar he would play
    With a voice so fair sing your worries away

    A penny in a wishing well
    striking luck in the form of a real southern belle
    He died in the spring of ‘09
    Left a broken belle and troubles behind

    Now he’s gone, nothing but memories to keep me company
    And this song, telling the stories about a nobody
    That’s somebody to me

    I still recall my grandpa John
    Old as bones, dry as sand and as hard as a stone
    Walked off in a winter storm
    With a jar of white lightning to keep himself warm

    Now he’s gone, nothing but memories to keep me company
    And this song, telling the stories ‘bout a few nobodies
    That’s somebody to me

    I think about my sister dear
    Full of life, full of love, full of self hate and fear
    Made it to the age of 19
    I fell apart at the words; here lies Francine

    Now she’s gone, nothing but memories to keep me company
    And this song, telling the stories ‘bout a few nobodies
    That’s somebody to me

    (Mari Sandvær Kreken, Tor Egil Kreken)

  • The moon is hanging high above
    A long and dusty red dirt road
    My blood has stained this land before
    No more, no more

    My heart is aching, all in vain
    But I embrace what some call pain
    It shook my bones, the weight I bore
    No more, no more

    I won’t break, I won’t be shaken
    No more

    The ground keeps taking a heavy toll
    the red dirt country owns my soul
    An oath I took, in blood I swore
    No more, no more

    (Mari Sandvær Kreken, Tor Egil Kreken)

Not everyone's the ability to write the perfect country or americana song. George Jones has done it, Dolly Parton has done it, Ryan Adams has probably done it, Johnny Cash has done it several times, and a couple more greats in the history of music have done it. Most of them have in common that they grew up in the southwestern part of the USA, while struggling to survive through their music.

The trio Darling West were born and raised pretty far from the dusty streets and worn down cafés in Nashville, Tennessee, but still they’ve been very close to writing the perfect americana song. Both on their debut album from 2014, which was nominated for a Norwegian Grammy award, and on their new album, «Vinyl and a Heartache», which they won a Norwegian Grammy for.

Kjetil Steensnæs, and Tor Egil and Mari Kreken has a DNA consisting of country and americana music, and even though Norway have developed a lively and vital country scene the last couple of years, few are doing it so consistently and good as Darling West. The band have perfected their musical expression even more since their last album, and can easily be compared to contemporary artists such as Sam Outlaw, Gillian Welch, Kacey Musgraves, Ryan Adams and Jason Isbell, while the souls of Gram Parsons and Emmylou Harris are carefully watching over them.

In their everyday lives, the various band members are playing with some of the best and most famous Norwegian artists, but it’s together, as Darling West, that the real magic happens. It’s melancholic, it’s raw, it’s genuine, and it’s songwriting at a sky-high level. It’s dance and it’s sorrow, it’s traditional and it’s innovative. Darling West are closing in on the perfect country song, and who knows, maybe they’ve already written it.

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While I Was Asleep (2018)

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Winter Passing (2014)